Posts Tagged ‘The Recording Academy

14
Feb
18

HOLY SHIT! WHEN I SING WORLD PREMIERE!! Part ONE – I’m stepping up, Neil Portnow.

Stepping up?  Check! Making a movie about my fucked up story?  Check! Self-Absorbed squared?  Check!  Hardest thing I have ever accomplished in my life?  Check! Getting it done with A LOT of help from my friends?  Check!  Now I just need a check!

I know. I know.  No one gives a shit if I just spent my life’s savings to tell my life’s story…apparently, that’s nothing unique in the film world.  Will it pay off? Why did I do this?  It’s insane to go to the lengths I have in order to get the truth out about what happened to me as a result of my historical/hysterical Grammy nomination.  In short, it’s the artist’s ridiculous quest for validation.  Check!

WATCH THE TRAILER HERE!

WHEN I SINGFor those of you unfamiliar, I was the first truly independent artist to be nominated for Best Americana Album, in 2012, for my double album, Emotional Jukebox, which my stalker turned husband, forced me to submit for Grammy consideration.  Let’s just say that the industry didn’t welcome this 50 year old, life time road warrior female musician.  Would I not have gotten as much flack if I had a dick? Chick Check! 

The timing of the release of WHEN I SING couldn’t be better!  I have to thank Neil Portnow for his words.  “Women need to step up to win awards” .  I stepped up a virtual Mount Everest to try and reach the top of my career, and when I got nominated, I thought I was there. I was so naive that I thought The Recording Academy would actually invite me to sing on the show, since I was the first indie to achieve this.  But instead, they changed the rules to prevent the unknown underdogs, while capitalizing on my nomination publicly, dangling a carrot for more hopefuls to join as a member.  Neil Portnow’s quote about me in the Associated Press:  “It shows everybody has a shot,” Portnow said. “That really is the truth.”

Linda Chorney quote:  “Meh.”

I’ve organized a petition, working along side members, and we hope The Recording Academy can step up to a democracy again.  Then maybe more women (and Indies) will be nominated and win awards.

But now back to me! Please, if you are in the Los Angeles area, come to the World Premiere of WHEN I SING, on Sunday, February 25th, at The Hollywood Reel Independent Film Festival!

Get tickets here!!

Make sure you scroll down to WHEN I SING at 8:15 show!  We are finalists for PEOPLE’S CHOICE AWARD! Come early (7:15) and pose on the carpet with some of our cast, including Chris Mulkey, Marion Ramsey, Miles Anderson, Kiki Ebsen, Mari Nobre, Eli Panero…and the chick in the corner!

In PART TWO – I’ll boast about all of our incredible cast and crew!

**p.s. I hate the photo they used of me in AP article that went to 100 countries. The photographer was great…and had better shots.  (This issue is actually a scene in the movie!)

 

 

 

Advertisements
24
Jun
17

Grammy’s change the rules again…because of the way James Comey treated Hillary Clinton.

As Ronald Raegan would say, “Well, there you go again.”  I learned, as someone nominated for a Grammy, that getting awards can be as bad, and full of shit as politics.

Ya know how bills are passed that have a lot of pork and earmarks? Well the latest from the Recording Academy is filled with oink and skid marks.  How so?

Here is the article from The Associated Press.    The headline?  “Grammys switching to online voting, changes top album rule.”

Okay. That sounds cool and reasonable, as long as the votes aren’t hacked, which I do not personally see as an issue. In fact, it would be nice if voting in USA for government positions could work that way..and actually be obligatory, to possibly prevent a total idiot from becoming POTUS.

What the headline from the AP neglects to mention, is the pork.  And of course, most people have A.D.D. and only read headlines.  (below taken from the AP article.)

“Bill Freimuth, the academy’s senior vice president of awards, said the academy expects to attract younger voters and touring musicians who are away from home during voting season.”

said of online voting, which comes a year after the Latin Grammys made the switch.

Freimuth said there were concerns about security issues, but added they have “done everything we can to make sure the integrity of the system will be preserved.”

INTEGRITY?

I read that word, and spit out my tea. Let’s talk about integrity.  (And by the way, I have met Bill Freimuth, and he is a really nice guy, and I’m sure his intentions are honorable, but….)

I repeat. Let’s talk about integrity, shall we?  Please allow me to dissect his statement.

“attract younger voters, and touring musicians who are away from home during voting season.”

99% of these touring musicians – and younger “voters” also want a shot at the brass ring. The academy welcomes these voters with open arms to pay their dues, and participate. But they don’t really trust the paying voters to make the right decisions. How can I say that? Answer? One word.

COMMITTEES.

When I was nominated, in 2012, there were no committees in “Americana” and all roots categories across the board, thus it was a democracy of the voting members who decided  the top 5 nominees, by majority vote, and then the winner, in the same manner.

The following year, without transparency to the voting members, they changed the rules, and put in a committee to decide the top 5, vs. the democratic vote, because, God forbid, another indie, like myself, gets past the gatekeepers. I put these facts in my book, “Who the Fuck Is Linda Chorney”, (I also mentioned it at the time to the Press, and they didn’t give a shit) – and then, the following year, after my book release, (read at least a thousand times!) all of a sudden, The Recording Academy decided to be transparent.  (My transparency? Yes, that was a slight plug for my book. tee hee.)

Then in 2013, Al Walser, another Indie, was  nominated for a Grammy in Dance Electronic category. At the time, this too was a democracy. Low and behold, the following year, they put in a committee to decide the top 5 in all Dance stuff.

Still, a few categories remained  true democracies, thus completely independent artists grabbed that brass ring, and some even won in New Age, Rap, and Contemporary Instrumental genres. And you bet your ass, lots of touring musicians joined, and paid their dues, in hopes of having their shot! Membership doubled after my nomination, alone, being the first in history to get the nod in Americana. (Imagine me taking a bow.)

BUT NOT ANYMORE!  (Say like Inspector Clouseau, after he trashed the “priceless Steinway”.)

The Below excerpt, is taken from the same AP article, for dissection number 2, also coinciding with spitting out more tea.

Other changes include nomination review committees added to the rap, contemporary instrumental and New Age genres. The committees serve as an additional layer of checks and balances, and for rap, could prevent wins like Macklemore & Ryan Lewis in 2014 over Kendrick Lamar, which were highly criticized. It could also allow rising acts to earn nominations over veteran performers like Eminem and Kanye West, who consistently earn nominations.

“We form these committees only when we hear from … those genre communities (when) they feel like something’s wrong, or that our nominations could be better,” said Freimuth. “For rap, what they were finding was that ‘legacy’ artists, almost no matter what they released, they would get a nomination because of their name recognition and fan base.”

 

“Layer of checks and balances.”  Bwahahahahhaa! = CONTROL.

Justification for committees – “It could also allow rising acts to earn nominations over veteran performers like Eminem and Kanye West, who consistently earn nominations.”

PA-LEEEZE!

Here’s the deal. “It could also prevents no-names, without labels, where no gatekeepers profit off of their nominations, and spares the Recording Academy the embarrassment of the likes of a Linda Chorney getting nominated.”  THAT’S ALSO WHAT IT MEANS.

Which brings me to the title of my blog. The Recording Academy’s justification for putting in these committees, is as valid as Donald J. Trump’s justification for firing James Comey.  (Because of the way he was unfair to Hillary Clinton. Such an outrage!)

Now the tea has come out of my nose.  (Maybe I should run for a governor of The Recording Academy and add my 2 cents.  I’m reading Al Franken’s “Giant of the Senate”, and cannot believe the bullshit he has to put up with. I don’t think I could handle it…or they could handle me. I am still a voting member. They have not yet kicked me out.) Again, I digress.

Of course, putting in committees to decide the top Nominees for President of The United States, might not be such a bad idea. Because, it would give Macklemore & Ryan Lewis a better chance than Kanye West.

 

 




Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Linda Chorney


All things that are CHORNEY

Linda Chorney Twitter

Linda Chorney Schedule

May 2018
S M T W T F S
« Mar    
 12345
6789101112
13141516171819
20212223242526
2728293031  
Advertisements

%d bloggers like this: