Posts Tagged ‘Americana Music Association

24
Jun
17

Grammy’s change the rules again…because of the way James Comey treated Hillary Clinton.

As Ronald Raegan would say, “Well, there you go again.”  I learned, as someone nominated for a Grammy, that getting awards can be as bad, and full of shit as politics.

Ya know how bills are passed that have a lot of pork and earmarks? Well the latest from the Recording Academy is filled with oink and skid marks.  How so?

Here is the article from The Associated Press.    The headline?  “Grammys switching to online voting, changes top album rule.”

Okay. That sounds cool and reasonable, as long as the votes aren’t hacked, which I do not personally see as an issue. In fact, it would be nice if voting in USA for government positions could work that way..and actually be obligatory, to possibly prevent a total idiot from becoming POTUS.

What the headline from the AP neglects to mention, is the pork.  And of course, most people have A.D.D. and only read headlines.  (below taken from the AP article.)

“Bill Freimuth, the academy’s senior vice president of awards, said the academy expects to attract younger voters and touring musicians who are away from home during voting season.”

said of online voting, which comes a year after the Latin Grammys made the switch.

Freimuth said there were concerns about security issues, but added they have “done everything we can to make sure the integrity of the system will be preserved.”

INTEGRITY?

I read that word, and spit out my tea. Let’s talk about integrity.  (And by the way, I have met Bill Freimuth, and he is a really nice guy, and I’m sure his intentions are honorable, but….)

I repeat. Let’s talk about integrity, shall we?  Please allow me to dissect his statement.

“attract younger voters, and touring musicians who are away from home during voting season.”

99% of these touring musicians – and younger “voters” also want a shot at the brass ring. The academy welcomes these voters with open arms to pay their dues, and participate. But they don’t really trust the paying voters to make the right decisions. How can I say that? Answer? One word.

COMMITTEES.

When I was nominated, in 2012, there were no committees in “Americana” and all roots categories across the board, thus it was a democracy of the voting members who decided  the top 5 nominees, by majority vote, and then the winner, in the same manner.

The following year, without transparency to the voting members, they changed the rules, and put in a committee to decide the top 5, vs. the democratic vote, because, God forbid, another indie, like myself, gets past the gatekeepers. I put these facts in my book, “Who the Fuck Is Linda Chorney”, (I also mentioned it at the time to the Press, and they didn’t give a shit) – and then, the following year, after my book release, (read at least a thousand times!) all of a sudden, The Recording Academy decided to be transparent.  (My transparency? Yes, that was a slight plug for my book. tee hee.)

Then in 2013, Al Walser, another Indie, was  nominated for a Grammy in Dance Electronic category. At the time, this too was a democracy. Low and behold, the following year, they put in a committee to decide the top 5 in all Dance stuff.

Still, a few categories remained  true democracies, thus completely independent artists grabbed that brass ring, and some even won in New Age, Rap, and Contemporary Instrumental genres. And you bet your ass, lots of touring musicians joined, and paid their dues, in hopes of having their shot! Membership doubled after my nomination, alone, being the first in history to get the nod in Americana. (Imagine me taking a bow.)

BUT NOT ANYMORE!  (Say like Inspector Clouseau, after he trashed the “priceless Steinway”.)

The Below excerpt, is taken from the same AP article, for dissection number 2, also coinciding with spitting out more tea.

Other changes include nomination review committees added to the rap, contemporary instrumental and New Age genres. The committees serve as an additional layer of checks and balances, and for rap, could prevent wins like Macklemore & Ryan Lewis in 2014 over Kendrick Lamar, which were highly criticized. It could also allow rising acts to earn nominations over veteran performers like Eminem and Kanye West, who consistently earn nominations.

“We form these committees only when we hear from … those genre communities (when) they feel like something’s wrong, or that our nominations could be better,” said Freimuth. “For rap, what they were finding was that ‘legacy’ artists, almost no matter what they released, they would get a nomination because of their name recognition and fan base.”

 

“Layer of checks and balances.”  Bwahahahahhaa! = CONTROL.

Justification for committees – “It could also allow rising acts to earn nominations over veteran performers like Eminem and Kanye West, who consistently earn nominations.”

PA-LEEEZE!

Here’s the deal. “It could also prevents no-names, without labels, where no gatekeepers profit off of their nominations, and spares the Recording Academy the embarrassment of the likes of a Linda Chorney getting nominated.”  THAT’S ALSO WHAT IT MEANS.

Which brings me to the title of my blog. The Recording Academy’s justification for putting in these committees, is as valid as Donald J. Trump’s justification for firing James Comey.  (Because of the way he was unfair to Hillary Clinton. Such an outrage!)

Now the tea has come out of my nose.  (Maybe I should run for a governor of The Recording Academy and add my 2 cents.  I’m reading Al Franken’s “Giant of the Senate”, and cannot believe the bullshit he has to put up with. I don’t think I could handle it…or they could handle me. I am still a voting member. They have not yet kicked me out.) Again, I digress.

Of course, putting in committees to decide the top Nominees for President of The United States, might not be such a bad idea. Because, it would give Macklemore & Ryan Lewis a better chance than Kanye West.

 

 

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